The Album (with a capital
A) as we know it . . .
27/08/08 04:15
A friend and I got together last weekend to learn a
bunch of songs that we're gonna play at a block party
in his neighborhood in Bristol, UK next weekend. One
of the tunes we're doing is a guitar version of
"Bridge Over Troubled Water" by Simon and Garfunkel.
After spending about an hour working through the
whole thing with him on guitar and me on lap steel he
reminded me that "Bridge" is the lead off track on
that album. It's the tune of the week right now, so
take and a few minutes and give it a listen. I was
blown away thinking about that epic as a lead off
track. I couldn't help but think there is just no
possible way that would fly in the music market place
these days. At least not on such a large commercial
scale. It's really kind of sad. Such a bold
statement, laid out up front. Smack, this is our
album, this our identity. These days there's much
more a mindset of "get the listener in safely, then
cautiously reveal a bit of yourself to them." I've
heard it said that the simple change from vinyl and
cassette tape to digital media has changed the flow
of albums forever. On vinyl it was like side one,
complete with an opener, closer etc and then take a
breather, flip the record and repeat. Now it's really
a beginning middle and end experience. In a way i
think the CD and iPod are better because it allows
records like Dark Side of the Moon to flow
so smoothly that they wash over you. I do, however,
think there is a certain magic to a two sided album.
Beyond just the brilliant, huge packaging it gave
artists an inherent buffer zone so that they really
had no choice but to say BAM here's my identity on
side one and the BAM "you're on side two now sucker."
Too bad I can't afford to press my new record to
vinyl. Maybe I'll just sequence it with a 5 minute
gap in the middle . . .