29/09/08 10:00
Since I've been back in New York City about week now,
I am looking pretty hard for a job. Having just
become the first American ever to have completed a
Masters in the craft of Songwriting, I figure, what
the hell, might as well try my hand at teaching. The
funny thing is I really don't know right now if
anyone in New York is interested in paying money to
write better songs. Even if they did, will anyone
care about having a Masters degree? Does that qualify
me to do anything? Fortunately, I didn't do the
course to qualify myself for any particular job, but
to simply write better music so I'm not sweating it
too hard. I think the hardest thing about teaching
people to write songs is that there has to be a lot
of mutual investment. The teacher needs to seek out
what the student wants to accomplish. This may sound
simple, but unlike teaching guitar or piano it's not
as simple as "I want to play the solo to Bohemian
Rhapsody backwards at 900 beats per minute." To help
someone develop as a songwriter a teacher must be
versed in their influences, musical and lyrical. One
must take time to understand a student's methodology
and writing routine and perhaps the hardest of all,
learn how to communicate with them effectively. I
think the investment is even harder for the student
as they have to trust their teacher, giving up time
and money to build this relationship. Ultimately,
it's about expanding a student's writing tools, but
the teacher must give the right tools to the right
student at the right time, or they simply won't work.
I was super fortunate to have a few songwriting
mentors that understood that well and I think it took
me a long, long way. So if, err, you know anyone that
wants to learn how to write songs, err, send them my
way . . .