05/10/08 15:59
So last week I talked a little bit about the
relationship that is necessary between a songwriting
teacher and student. Generally speaking, the idea is
that a teacher needs a high level of investment in
the student to understand how they can improve. One
key thing that I didn't cover at all in that last
post was the musical ability of the student (or
teacher for that matter). Now I think it is
relatively obvious that a person with advanced
technical ability on an instrument can have a real
edge over someone who can't play at all. Why, though,
does it seem that there are so few truly phenomenal
writer/instrumentalists? I mean you find the
occasional Richard Thompson, Jason Isbell, or Eric
Clapton out there, but by an large the great
songwriters of the modern era have been your average
joe strummer (pardon the pun). I think the reason for
this is that the folks out there who excel in the
technical aspects of any instrument are less melody
oriented that the person who has a general, chord
oriented skill set. Though a technical master may
eventually reach a state in which their skill enables
highly memorable, melodic playing, it takes a long
time focusing on individual techniques to reach that
point. A songwriter, on the other hand, doesn't
really need to play anything at all. In fact, many of
the best songwriters out there write without an
instrument in their hand. Insanely successful
writer/teacher Jason Blume swears he never writes
with an instrument. Instead he just hums, scats,
sings, and generally experiments with little bits of
melody in his head until he is happy that a melody is
super memorable. In the early parts of his career,
even after being a singed writer, he had to bring in
guitarists to figure out the right chords to go under
his melodies. His publishers didn't care about this
though, because, really who ever remembers chords?
Everyone remembers melody. In fact often his lack of
technical skill on an instrument freed Jason Blume to
think outside the box and therefore come up with some
totally fresh ideas. I hear a lot of people say, "I
couldn't write a song if I had all the time in the
world." I always disagree. I'm not saying you're
going to write like Timbaland if you can't even strum
a guitar, but anyone can come up with a melody and
that's what is really important.